DOMINO AT THE GREAT ESCAPE 2019

DOMINO PUBLISHING
The Great Escape 2019
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Over fifteen Domino Publishing acts are performing as part of this years lineup at The Great Escape in Brighton. If you're making you're way down to this year's three day festival be sure to catch some of our writers performing by checking all of the times and venues listed below. Watch the performing writers' latest videos above in our curated youtube playlist. You can also listen to the Domino At The Great Escape Spotify Playlist here.

Anna Calvi

May 11 - The Old Market, 10:15pm

Black Midi

May 11 - Komedia Studio Bar 2:30pm

May 11 - The Deep End - Beach Site 9:15pm

Fat White Family

May 11 - The Deep End - Beach Site 10:15pm

Georgia  

May 10 - The Deep End - Beach Site 8:15pm

Hand Habits

May 9 - One Church 10:30pm 

Lisa O'Neill

May 9 - Prince Albert 12:00pm 

May 10 - One Church 10:30pm

Plastic Mermaids

May 10 - Jubilee Square 9:30pm 

Pregoblin

May 9 - Komedia 9:30pm

Priests

May 11 - Horatios 10:15pm 

Rosie Lowe

May 10 - The Dive Bar - Beach Site 1:20pm 

Alex Lahey 

May 9 - Komedia (Downstairs) 12:15pm 

May 10 - The Walrus 10:15pm 

May 11 - The Beach 5:20pm 

Kingswood 

May 10 - One Church 9:30pm 

May 11 - The Dive Bar 3:40pm 

Tia Gostelow 

May 10 - Komedia Studio Bar 9:15pm

FOR OUR RELEASE SCHEDULES AND MORE ALBUM LISTINGS GO TO [ON THE BLOG]

 

BEDOUINE 'BIRD SONGS OF A KILLJOY' OUT 21ST JUNE 2019 (DOMINO PUBLISHING)

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Bedouine 'Bird Songs Of A Killjoy'
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Bedouine shares the latest single 'Echo Park' from her upcoming album 'Bird Songs Of a Killjoy' out 21st June 2019 via Spacebomb Records. Watch above.

When you listen to the love songs of LA-based Bedouine, you will be reminded of Karen Dalton’s world-wise voice or the breathy seduction of Minnie Riperton's vocals, the easy cool of French ye-ye singers, and the poetry of Joan Baez. Her folk is nomadic, wandering across time and space. On first discovery you may ask whether they're dated to 2019, or whether you've uncovered some forgotten classic. It makes sense that singer-songwriter Azniv Korkejian's arrival – both musically and personally – on her second record has been influenced by her own wanderlust, displacement, and curiosity. 

Bird Songs of a Killjoy is a soundtrack to Spring blossom, to warm air on skin, to the concept of possibility. Some of the songs on this sophomore effort were from that same time period of fruitful creativity as her self-titled debut, which came out in June 2017. She continued her creative partnership with Gus Seyffert (Beck, Norah Jones) who produced them in his studio. For Bedouine, these songs have already served their healing purpose. Now it's time for them to move others.

BEDOUINE (2017) | 'INSIDE THE SELF-TITLED DEBUT' 

FOR OUR RELEASE SCHEDULES AND MORE ALBUM LISTINGS GO TO [ON THE BLOG]

 

NATHAN MICAY 'BLUE SPRING' OUT 17TH MAY 2019 (DOMINO PUBLISHING)

DOMINO PUBLISHING
Nathan Micay 'Blue Spring'
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Nathan Micay shares the stunning manga inspired video for 'Ecstacy on the Maple Mountain' from his upcoming album 'Blue Spring' out 17th May 2019 via Lucky me. Watch above. 

In 2016 Nathan Micay released Capsule’s Pride: a mixtape in tribute to Akira. The release was premiered with NPR First Listen and downloaded over 40 thousand times. Coveted by fans and supported by a wide range of music press, the record won many best of year awards. The following year, streetwear giant Supreme created an official Akira capsule collection that echoed the design of our release. Capsule’s Pride vinyl bootlegs have become sought after records with discogs collectors. 

Three years later and Nathan has released a string of renowned dance releases for a range of great labels. He returns to LuckyMe for his debut album. Four tracks from the forthcoming Blue Spring have become viral videos on the private facebook group IOM (Identification Of Music). The group exists for young fans of new dance music to share videos of their favourite DJs playing out big records at clubs or festivals. The album was sent to a select handful of DJs in 2018 and without any public track IDs, the uncredited clips of this record have risen to over a million plays with thousands of comments speculating the names of the songs. We continue to share clips from Nathan’s friends playing out the release to close DJ sets every weekend in front of large audiences. 

FOR OUR RELEASE SCHEDULES AND MORE ALBUM LISTINGS GO TO [ON THE BLOG]

 

WATCHING ALDOUS HARDING 'FIXTURE PICTURE' (DOMINO PUBLISHING)

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Aldous Harding 'Designer'
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Aldous Harding has shared the album opener track and video "Fixture Picture" directed by Harding and Jack Whiteley and filmed at the Cliffs of Dover. Watch above. 'Designer' is out 26th April 2019 via 4ad.

Designer finds the Aldous Harding hitting her creative stride.  After Party, Harding came off a 100-date tour last summer and went straight into the studio with a collection of songs written on the road.  Reuniting with John Parish, producer of Party, Harding spent 15 days recording and 10 days mixing at Rockfield Studios, Monmouth and Bristol’s J&J Studio and Playpen.

From the bold strokes of opening track ‘Fixture Picture’, there is an overriding sense of an enigmatic artist confident in their work, with contributions from Huw Evans (H. Hawkline), Stephen Black (Sweet Baboo), drummer Gwion Llewelyn and violinist Clare Mactaggart broadening and complimenting Harding’s rich and timeless songwriting.

HORIZON (VIDEO) | NEW WRITER - ALDOUS HARDING | PARTY (2017)

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WATCHING THESE NEW PURITANS 'WHERE THE TREES ARE ON FIRE' (DOMINO PUBLISHING)

DOMINO PUBLISHING
These New Puritans 'Inside The Rose'
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These New Puritans today unveil the video to their new song ‘Where The Trees Are On Fire’, lifted from their already acclaimed forthcoming album Inside The Rose, which is set for release next Friday, 22 March. The song is the haunting centrepiece of their forthcoming album, and the video is directed by band member George Barnett and Max Luz.

It’s an enigmatic portrait of Jack Barnett by his brother. Halfway through, the viewer transcends the stark painterly reality and is thrown into a world of ecstatic, saturated colour.

Jack dreamt the melody and lyrics. “Clichéd as it may seem, that’s how it came to me. I went through a period of dreaming loads of music. Most of it was crap – bad ‘80s synth pop or pub rock – but this was the best of them. Because I dreamt most of the lyrics, I don’t know exactly what it’s about, but I think it’s got something to do with the extremes of life, whether that’s oblivion or ecstasy.”

‘Where The Trees Are On Fire’ follows current single ‘Anti–Gravity’, as well as the album’s title track and ‘Into The Fire’, which debuted late last year to immense acclaim. The album arrives six years after the critically acclaimed album Field of Reeds, and is arguably the Barnett brothers' most innovative work to date. 

INSIDE THE ROSE (2019)

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NIGHT MOVES 'CAN YOU REALLY FIND ME' OUT 28TH JUNE 2019 (DOMINO ALL-IN)

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Night Moves 'Can You Really Find Me'
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Domino announces Can You Really Find Me, the new album from Night Moves, due for release on June 28th. Accompanying the news of the album comes new track “Strands Align” and its’ Cameron Dutra-directed video, starring John Pelant and Micky Alfano from the band as well as actor Chris Mulkey (Twin Peaks, Whiplash, Boardwalk Empire). Watch above.

Night Moves new album, Can You Really Find Me, pulsates and glows with the same sublime energy that radiated from breakout single “Carl Sagan” in 2016, however in the intervening years, John Pelant and Micky Alfano have grown up. The songwriting, while still steeped in super-catchy, velvety riffs and pure pop glaze, feels more sophisticated and modern. Since the pair met in high school, awestruck by such ear-candy wizards as Brian Wilson, Todd Rundgren, Stevie Nicks and Lindsay Buckingham, they set off to craft their version of what sophisticated, emotional modern pop music can and should sound like. 2016’s Pennied Days was a breakthrough, and set a new bar for the members of Night Moves. After spending the subsequent two years on Can You Really Find Me, they’ve scaled new heights, where the sounds are still just as sweet, but now smarter, more evocative, and perfectly designed for a summer release. 

Can You Really Find Me was produced by Jim Eno (founding member and drummer of Spoon) out of Public Hi-Fi Studios in Austin, TX and recorded with live band members Mark Hanson and Chuck Murlowski

PENNIED DAYS | COLORED EMOTIONS | CARL SAGAN VIDEO

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PETER PERRETT 'HUMANWORLD' OUT 7TH JUNE 2019 (DOMINO ALL-IN)

DOMINO ALL-IN
Peter Perrett 'Humanworld'
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Peter Perrett returns once again with Humanworld, out on the 7th June via Domino. Watch the music video for the album’s opening track, ‘I Want Your Dreams’, above.

One of the recent past’s most unexpected come-back stories, Peter Perrett – former frontman of The Only Ones - resurfaced in 2017 with How The West Was Won, an album that saw him chart in the UK, star on BBC Newsnight, sell out rooms at Electric Ballroom and Islington Assembly Hall, and collect accolades across the board.

In this new chapter, Peter continues to dissect romance and politics with his trademark sense of sardonic wit and wry humour, if not with more vigour even and a palpable sense of immediacy. Peter adds, “This record has got more urgency and the songs are more concise. Don’t like words such as progression but I hope this is texturally and sonically more interesting than How The West Was Won.”

Peter’s band includes his guitar and bass playing sons Jamie and Peter Jr, drummer Jake Woodward, Jenny Maxwell (Microkorg synthesiser, viola, BVs) and Lauren Moon (keys, drums, BVs) - a tight-knit bunch who have honed this album and the previous one with choice live performances here and in Europe.

Following the years of possibly having too much fun, Peter Perrett is in the process of rebuilding himself, his family, and his art. Working with his sons and fronting another great band, he’s firmly back on track. Humanworld features a production credit for Peter’s son Jamie who also contributes a song to the album (‘Master of Destruction’); and the story of knitting a family back together following a history of chaos and addiction now takes a step closer to centre stage. 

FOR OUR RELEASE SCHEDULES AND MORE ALBUM LISTINGS GO TO [ON THE BLOG]

 

GEORGIA VEVO DSCVR LIVE SESSIONS (DOMINO ALL-IN)

DOMINO ALL-IN
Georgia 'About Work The Dancefloor'
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VEVO has launched a DSCVR session for Georgia, featuring brilliant live performance videos for her latest singles ‘About Work The Dancefloor’ and ‘Started Out’.

“About Work The Dancefloor” is a defiant slice of electro-pop, exploring love, passion, melancholy and the thrill of finding yourself on the dancefloor. Showcasing Georgia’s upbeat pop brilliance, the track is a reflection of the rich influences of Georgia’s personal experience with club culture. “About Work The Dancefloor” follows the euphoric hit single, “Started Out” which reached the A-list at BBC Radio1 and broke in to the top 15 in the Shazam charts.

STARTED OUT | GEORGIA - DEBUT ALBUM | GEORGIA - HEART WRECKING ANIMALS (VIDEO) | GEORGIA - KOMBINE (VIDEO)

FOR OUR RELEASE SCHEDULES AND MORE ALBUM LISTINGS GO TO [ON THE BLOG]

 

NEW SIGNING: ARLO DAY 'BAD TIMING' OUT 31ST MAY 2019 (DOMINO ALL-IN)

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Arlo Day is the moniker of Alice Barlow, a young songwriter and guitarist from South-East London whose unique ear for melody, haunting vocals and rumbling guitar tones have gained a quiet reputation as one of the capital’s best kept secrets. Newly-signed to iconic indie label Domino, Arlo Day has today revealed her debut single ‘Bad Timing’ and its emotive video. ‘Bad Timing’ is the lead single and title track taken from her first EP out 31st May. 

The video for ‘Bad Timing’ came together during the cold winter months of 2018 with Barlow collaborating alongside friends Holly Taylor, Elena Isolini and Esther Collins. The visuals were shot in the friends’ houses and all around South London. Barlow adds: ‘Like the song, the video is based around the disparity of time and hindsight, and how moments of the past can replay in your mind. We were inspired by photographs by Duane Michals and Katrien de Blauwer, and Lynne Ramsay’s short film Gasman.’

Self-produced and recorded at home, the Bad Timing EP is a trio of tracks that showcase her deft ability to write songs that are at once personal vignettes and brooding canvases for introspection and introduces Arlo Day as a singular and exciting new songwriting talent.

FOR OUR RELEASE SCHEDULES AND MORE ALBUM LISTINGS GO TO [ON THE BLOG]

 

HOT CHIP 'A BATH FULL OF ECSTASY' OUT 21ST JUNE 2019 (DOMINO RECORDINGS)

DOMINO RECORDINGS
Hot Chip 'A Bath Full of Ecstasy'
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Hot Chip will release their electrifying seventh album, A Bath Full of Ecstasy, on June 21st. Their third album for Domino, A Bath Full of Ecstasy is the group’s definitive release, crystallising the sound they’ve become celebrated for – bridging euphoria and melancholy with colourful melodies, idiosyncratic vocalisations and pounding electronic pop rhythms. Watch the Saman Kesh directed music video above.

Recorded in Paris and London, the album sees the group (Owen Clarke, Al Doyle Joe Goddard, Felix Martin and Alexis Taylor) open up to a more adventurous and collaborative song-writing process, choosing to work with outside producers for the first time: Philippe Zdar, the French maestro who’s shaped the magic of Cassius and Phoenix, and Rodaidh McDonald, the Scot who’s collaborated with The XX, David Byrne and Sampha, among others.

Today, the band share the first song from the record, ‘Hungry Child’; for 6 glorious minutes, Hot Chip fuse the uplifting soft pads and melodic keys of classic soulful house and the percussive swing of UK garage, full of sweet vocalisations and rhythmic snaps, to make an instant, club-ready hit. The video for ‘Hungry Child’ is directed by Saman Kesh and features Martin Starr and Milana Vayntrub.

DANCING IN THE DARK EP'STARTED RIGHT' REMIXES | 'WHY MAKE SENSE?'

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HAYDEN THORPE 'DIVINER' THE DEBUT SOLO ALBUM OUT 24TH MAY 2019 (DOMINO ALL-IN)

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Hayden Thorpe 'Diviner'
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It is with great pleasure that Domino announce Diviner, the debut solo album from Hayden Thorpe, due for release on 24th May 2019. Along with the news of Diviner, Hayden Thorpe shares the new track, “Love Crimes” plus a video, directed by Alexandra Liveris. Watch above.

Diviner is a deeply emotional album: lyrically generous in its candid tone and self-awareness, the melodies resonant with sense memory. The album feels like a startling departure from Thorpe’s previous work with Wild Beasts and also unlike anything else being made at the moment. 

Written in a deep period of flux; at points in California, Cornwall and at his home in London - the latter acting as a womb-like space where he worked out his new life, story and belief systems. “My adulthood was based on a certain belief system, a band, a family. When it shifted entirely, I had a ghost I had to find a new haunt for,” Thorpe notes. But his belief in songs as transformative entities kept him going. “I believe in the medicinal properties of songs. I believe in their healing properties,” he says. “Songs defy time, they don’t erode or denature, they come with you and reform anew in your mind as and when you need them.”

 “I broke up with myself. So this is a break-up album, but not about a relationship. It’s a break-up from a past self, it’s a breakup from the old idea of yourself and therefore every relationship, of all kinds, that you’ve ever had.” Throughout the record, Thorpe’s voice is a beacon - paired with weaving piano, ambient guitar drifts and propulsive bass lines - his sound is even more powerfully unfettered than before, as if he’d found a new inner voice, a new way to use his instrument.

FOR OUR RELEASE SCHEDULES AND MORE ALBUM LISTINGS GO TO [ON THE BLOG]

 

CLINIC SHARE NEW SONG 'LAUGHING CAVALIER' OUT 8TH APRIL 2019 (DOMINO ALL-IN)

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Clinic 'Wheeltappers and Shunters'
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Having previously shared ‘Rubber Bullets’ from their upcoming album, Liverpool’s Clinic share new song ‘Laughing Cavalier'. Watch the Joseph May directed music video above.

Last month, Clinic announced their return with news of their first album in seven years alongside playing live at BBC 6 Music’s Festival. Entitled Wheeltappers and Shunters, the new album will be released on May 10th, and is named after the long-forgotten 1970s ITV variety show The Wheeltappers and Shunters Social Club, compered by Bernard Manning, which recreated the smoky, boozy atmosphere of Northern working men's clubs for a sofa-bound audience.

The album was recorded last year in founding band member Hartley's Liverpool studio, before they brought in Dilip Harris (King Krule, Sons Of Kemet, Mount Kimbie) to mix it. “We thought it felt right to make a fun, dancefloor album in these dark and conservative times,” Blackburn continues. “We didn’t plan it. Within the set of songs that we’d worked on for it there was a thread of it being a bit more rock’n’roll, a bit more UP! It had that sort of feel to it early on.”

FOR OUR RELEASE SCHEDULES AND MORE ALBUM LISTINGS GO TO [ON THE BLOG]

 

LITTLE CUB 'MILLENNIUM PEOPLE' OUT 1ST APRIL 2019 (DOMINO ALL-IN)

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Little Cub 'Millennium People'
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Little Cub return with the new single 'Millennium People' a savage satire with a clear intent to unsettle, watch the video above.  

“Millennium People” is the first new recording from Little Cub following their debut album, Still Life, in 2017 and was mixed by David Wrench (David Byrne, The xx). As if Vangelis sound tracked a Cronenberg movie - but in the Hacienda - this party is here to “bring the people together” but with a caveat. The track takes aim at those who cry for reason, and those who don’t cry at all; as singer Dominic Gore proclaims, “Maybe it’s time, the great British lifeboat capsized?”

Degenerate sloganeering (‘Millennium People’ is named after a J.G. Ballard novel after all) commands you to throw sense and servility out the window. With driving synths and tempos that drunkenly waver like society teetering on the brink, the arrival of the chorus comes to snap you to your senses.

It’s time for organising, it’s time for vulgarity and as Adam Curtis said the time has come to ask “whether you really want change or just the banks to be a bit nicer to you”.

STILL LIFE | 'MY NATURE' SINGLE | 'LOVELESS' EP

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GEORGIA SHARES NEW SINGLE 'ABOUT WORK THE DANCEFLOOR' (DOMINO ALL-IN)

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Georgia 'About Work The Dancefloor'
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Georgia has returned with her latest single, “About Work The Dancefloor”. Watch the music video above.

“About Work The Dancefloor” is a defiant slice of electro-pop, exploring love, passion, melancholy and the thrill of finding yourself on the dancefloor. Showcasing Georgia’s upbeat pop brilliance, the track is a reflection of the rich influences of Georgia’s personal experience with club culture. “About Work The Dancefloor” follows the euphoric hit single, “Started Out” which reached the A-list at BBC Radio1 and broke in to the top 15 in the Shazam charts.

 “About Work The Dancefloor is a song written in response to the clubbing culture I experienced in cities whilst touring. Going out and getting that emotion or sensation from a collective energy in various spaces. It’s that stuff of old school disco, the thrill of the dance floor” says Georgia on the track. The video was directed by NYSU in Madrid.

STARTED OUTGEORGIA - DEBUT ALBUM | GEORGIA - HEART WRECKING ANIMALS (VIDEO) | GEORGIA - KOMBINE (VIDEO)

FOR OUR RELEASE SCHEDULES AND MORE ALBUM LISTINGS GO TO [ON THE BLOG]

 

WATCHING SORRY 'JEALOUS BOY' OUT 21ST MARCH 2019 (DOMINO ALL-IN)

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Sorry 'Jealous Boy'
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North London’s Sorry have shared their new track and video ‘Jealous Guy’ on Domino, watch above.

‘Jealous Guy’ is Sorry’s first new music of 2019, following their acclaimed 7” ‘Showgirl’/’Twinkle’, which received glowing  praise from Pitchfork and Dazed, and saw the band perform live for Marc Riley on BBC Radio 6 Music - and ‘Starstruck, a track that caught the eye of BBC Radio 1, seeing multiple plays across the station this year and last.

A sideways look at the John Lennon and The Plastic Ono Band song of the same name, ‘Jealous Guy’s buoyant tone finds a perfect juxtaposition cut with principal songwriters and vocalists Asha Lorenz and Louis O’Bryen’s sly and witty lyrics: “I'm just a jealous guy, watch out.” The riotous video for ‘Jealous Guy’ was directed by the band’s Asha, frequent Sorry visuals collaborator Flo Webb - the pair operate under the Flasha moniker - and Jasper Cable-Alexander. Asha explains, “We played on the saxophone idea - I guess like a Madness or The Specials video, or like The Blues Brothers, sharply dressed and funny, with interesting shots of us about town. The theme of jealousy runs through the video and the last shot is me [Asha] killing Louis due to her jealousy, after the realisation that Louis is too good at writing songs.”

Centred around Asha and O'Bryen, two 20 and 21-year-old childhood best friends, Sorry were signed by Domino after developing a reputation as the most thrilling new band on London’s underground circuit. Sorry’s lineup is completed by Lincoln Barrett on drums and bassist Campbell Baum.

WISHED | 2 DOWN 2 DANCE | SHOWGIRL |

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WATCHING FAT WHITE FAMILY 'TASTES GOOD WITH THE MONEY' DIR. ROISIN MURPHY (DOMINO ALL-IN)

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Fat White Family 'Tastes Good With The Money'
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Following the recent announcement of their third album, Serfs Up!, Fat White Family have shared the video to Tastes Good With The Money, an absurd Monty Python inspired ‘romp’ directed by Roisin Murphy. Watch above.

Talking about the video, Roisin said: 

The idea of referencing Monty Python partly came out of the somewhat absurd and confusing political landscape that we are now living in Britain, Python seems prescient. The British laughing at themselves, a certain kind glee even in the loss of empire, singing as the ship goes down, well it just seems so...of the moment. There is this deep ambivalence to the establishment that resonates with the Fat Whites own irreverent world view.

Most of all I wanted an idea that would give them the confidence and the space to really let go and just perform, too allow them to be raw in what is essentially an unnatural situation for a bunch of ne’er do well musicians.

When I look at the video, what I see is the trust they put in me and I’m so proud of that. Maybe it’s because I am a performer too but they let themselves be put in a kind-of vulnerable situation; they allowed themselves to be foolish, silly and absurd in a way that could have gone tits-up, however, the result is hilarious and the performances are second to none.

Additionally, the  band are set to play a number of in-store shows the week of release of Serfs Up! The London & Kingston in-stores give fans a chance to see the band perform their unmissable full live show in tiny spaces, while the remaining shows see the band perform stripped back re-imaginings of the songs in a baroque style. 

SERFS UP (2019)

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STEPHEN MALKMUS 'GROOVE DENIED' OUT 15TH MARCH 2019 (DOMINO RECORDINGS)

DOMINO RECORDINGS
Stephen Malkmus 'Groove Denied'
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The secret electronic album that Stephen Malkmus has been telling everyone about will see the light of day on March 15th, when it’s released on Domino. The first taste of Stephen’s new groove comes with the release of single ‘Viktor Borgia’, and its accompanying video starring Stephen alone in a dance club. Watch above. 

The title playfully merges the name of the comedian-pianist and the ruthless dynasty of Italo-Spanish nobles. With its stately melody and the almost-English-accented vocal, the coordinates here are early Human League or even Men Without Hats. “I was thinking things like Pete Shelley’s ‘Homosapien’, the Human League, and DIY synth music circa 1982,” says Stephen, adding “and also about how in the New Wave Eighties, these suburban 18-and-over dance clubs were where all the freaks would meet – a sanctuary.”

Groove Denied will shake up settled notions of what Malkmus is about and what he’s capable of, repositioning him in the scheme of things. But looking at it from a different angle, his engagement with state-of-art digital tech actually makes perfect sense. After all, Nineties lo-fi – the sound in which he and Pavement were initially vaunted as leaders and pioneers - was nothing if not insistently sonic – it was all about the grain of guitar textures, about gratuitously over-done treatments and ear-grabbing effects. Noise for noise’s sake. As Stephen tweeted recently on the subject of Auto-Tune’s omnipresence in contemporary music-making: “We long 4 transformation....and we humans fucking luv tools.”

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