DAN DEACON 'TIME TRIAL SOUNDTRACK' OUT 30TH NOVEMBER 2018 (DOMINO PUBLISHING)

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Dan Deacon 'Time Trial Soundtrack'
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Dan Deacon’s second revelatory release for the Domino Soundtracks imprint, Time Trial, transmits new spectrums of sound from a universe parallel to, yet distinct from, his electronic-pop output. Zooming in on the inner life of the solitary on-screen struggle captured in director Finlay Pretsell’s visceral documentary of the same name, Deacon’s score amplifies dreams of redemption and fleeting bursts of elation that grind against punishing environs, ghosts of the past, and the physical limits of the human body. Recently nominated for the "Outstanding Achievement in ​Original Music Score” at the 2018 Cinema Eye Honors, Time Trial is not only one of the year’s essential soundtrack releases, but a major work of modern electronic composition.

The album is as fully formed and flawlessly sequenced as any of Deacon’s albums, yet never bound to his pop persona—even if its exultant moments, like closing track “Finlay’s Anthem,” are unmistakably the work of the mastermind behind America and Gliss Riffer. From the swelling, cacophonous build of “The Melee” and steady adrenal pulse of “The Breakaway” to the creeping dread of “Worse Times” and deep chill of “Charlie I Can’t Feel My Hands,” Time Trial is a challenging, resonant, and deeply rewarding record that discovers hard-worn truth and beauty in broken dreams and collapse.

GLISS RIFFER (2015) | RAT FILM (2017)

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WATCHING NERIJA 'RIVERFEST' LIVE VIDEO

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Nerija 'Riverfest'
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Following the release of Nérija’s critically acclaimed debut album Blume, the UK jazz septet have unveiled a live video of “Riverfest”, filmed at Total Refreshment Centre. The vivacious track, composed by the whole band, exemplifies the blistering playing from the band. Watch above.

Nérija have also announced a host of European tour dates for early 2020 which comes in addition to their headline show at London’s Omeara in October. More info and ticket links can be found below.

Blume is a truly breath-taking collection of compositions that perfectly encapsulates everything Nérija; vibrant, engaging, infectious and truly current. For just over an hour, they take us on a sprawling wonderful journey, arriving at what is a majestic body of work; their personal and collective experiences and inspirations over the last half decade or so.

BLUME | NERIJA SELF-TITLED EP

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BONNIE “PRINCE” BILLY 'I MADE A PLACE' OUT 15TH NOVEMBER 2019 (DOMINO PUBLISHING)

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Bonnie “Prince” Billy 'I Made A Place'
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Bonnie “Prince” Billy announces a new album named 'I Made A Place' out via Domino Recordings 15th November 2019. Watch the glorious video for "(At The) Back of The Pit", directed by high school senior Jacob Forman.

The world has changed. Some things will never change. Some are gone forever. Thankfully, this isn't one of them: the wait for new Bonnie “Prince” Billy is now on a timer. What's more, the new single drops a bit of Apocalypse WOW. Picking up in a sense where last year's "Blueberry Jam" left off, "(At The) Back of the Pit" considers what to do with the things we love when it comes time for the death (and therefore, rebirth) of our painstakingly-built'n'kill't world. It's an affirming country jam: elegiac early moments give way to jaunty roots-rock strides, a horn section soulfully charting the long rays at the end of the day as well as the first rays of the new rising sun as they light on all our hopeful tomorrows.

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BOB MOSES 'BATTLE LINES [REMIXED]' OUT 6TH SEPTEMBER 2018 (DOMINO ALL-IN)

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Bob Moses 'Battle Lines [Remixed]'
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Battle Lines [Remixed] compiles a killer selection of remixes from Bob Moses’ 2018 studio album Battle Lines, including a brand new remix of “Listen To Me” by Australian producer Cassian. The remix is available today along with the full remix compilation, listen above. 

Battle Lines follows the band’s acclaimed debut album, Days Gone By, featuring their worldwide hit “Tearing Me Up.” The band recorded the new album in Los Angeles’ Laurel Canyon, after writing and testing out new material on the road. Inspired by their time playing raves and rock clubs all over the globe since the release of Days Gone ByBattle Lines takes a harder look at the world in which they find themselves.

BATTLE LINESHEAVEN ONLY KNOWS (2018) | DAYS GONE BY (2015)

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PATRICK WATSON 'WAVE' OUT 18TH OCTOBER 2019 (DOMINO RECORDINGS)

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Patrick Watson 'Wave'
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Wave, the new album from Canadian artist Patrick Watson, arrives on October 18th via Domino (worldwide excluding Canada) / Secret City (Canada).  Wave is the follow-up to Watson’s 2015 album Love Songs for Robots. Alongside the album announcement today, Wave’s opening track “Dream for Dreaming” is now available, accompanied by a music video directed by Joël Vaudreuil. Watch above.

Talking about the new song, Watson says: “When you come home and your house doesn’t look like the one you left and the strange feeling of being so far from what you had in mind that your skin doesn’t fit anymore. And you’re in the state of disbelief with a strange smile wondering what am I to do now.”

Watson’s sixth studio album is about having a wave knock you over when you realize everything you have in life can be wiped away in a moment – and then learning how not to drown in the process. During the making of the album, Patrick lost his mother, his longtime drummer left the group, and he and his partner separated. Watson brought a notebook underneath the waves and composed tunes about melancholy. The songs are about how sometimes you have to sing a love song to yourself when no one else will, allowing the sound carry you and learning to trust where you will land. It is very personal and intimate, and it is the most humble of all his records.  Reflecting on events in his personal life, and having begun his singing career in the church choir; Watson notes about the album: “It’s the difference between singing a solo at a stranger’s grave as a child and singing one at your own mother’s funeral.”

BROKEN | MELODY NOIR

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OH SEES 'FACE STABBER' OUT 16TH AUGUST 2019 (DOMINO PUBLISHING)

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Oh Sees 'Face Stabber'
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Following 2018's Smote Reverser, Oh Sees release their latest double LP 'Face Stabber' via Castle face records. Coming in at 17 tracks long, a press statement from the band describes the album as “Soundcloud hip-hop reversed, a far flung nemesis of contemporary country and flaccid algorithmic pop-barf.” Watch the video for track 'The Daily Heavy' above. 

SMOTE REVERSER (2018)

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WATCHING HOT CHIP 'A BATH FULL OF ECSTASY' (DOMINO RECORDINGS)

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Hot Chip 'A Bath Full of Ecstasy'
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Following the release of their new album A Bath Full Of Ecstasy in June, Hot Chip are pleased to share the ‘game-review’ video for “Bath Full Of Ecstasy”. Watch above.

The band say about the new video: “Oliver Payne (Safecrackers) is a British born, Los Angeles-based visual artist, video and film-maker, friend of the band, and collaborator. His artwork was used on two of Alexis’ album sleeves and he is also a huge supporter and fan of Hot Chip. Oliver came up with the idea to make a video based around a fictional computer game called ‘Bath Full of Ecstasy’, in the Hot Chip series, from Japan, circa 1988. The video consists of a Youtube-style review and demonstration of the game, which features each band member on their path to save the cursed kingdom, aiming to return melody and colour, and bringing back joy, with the help of the Bubblebath Fairy, a Microphone and some friendly strangers.”

SPELL | A BATHFUL OF ECSTASY (ALBUM)

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ONE TRUE PAIRING 'DAWN AT THE FACTORY' OUT 3RD SEPTEMBER 2019 (DOMINO ALL-IN)

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One True Pairing 'One True Pairing'
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Former Wild Beasts songwriter, vocalist and multi-instrumentalist Tom Fleming will release his debut solo album under the guise One True Pairing on September 20th. Having previously shared the title track, “One True Pairing”, and recent single “I’m Not Afraid”; today, Fleming unveils new single “Dawn At The Factory”. Over looming synths, Tom emphatically sings “Where the strip lights shine, I give you my life”. Listen above.

Talking about the song, he says: “2019’s satanic mills - zero hours, suicide nets, universal credit, cheap labour. The blue-white glow of the factories out on the gyratory and the plastic clad office blocks of the town centre. I wanted to strip the romance back and look at what makes this country run, what makes it tick. The factories are hungry and it’s you they want. I wanted it to sound like the open road but there’s just too much barbed wire around it. The same every night. You do what you have to do. Knackered synths and a Floyd rose. Hope you enjoy it, OTP 2019 x”.

One True Pairing is “the angry northern Springsteen record that I'd always wanted to make” says Tom Fleming, “it's neo-heartland rock". These "heartlands” are the moors above Bradford or Cumbernauld, "places where people live their whole lives and do these things and succeed and fail.” Within this there’s a continuation of the exploration of masculinity that made his former band so unique. As well as being deeply personal, OTP has a wider political resonance, he believes that class is entirely discounted from the current conversation about inclusivity and privilege. In its 11 songs of discordant guitar and aggressive synth Fleming channels his discontent with Britain in 2019 and a “feeling of directionless rage and cheatedness which hasn't gone away."

ONE TRUE PAIRING

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