Attention came swiftly following Speedy Ortiz’s 2012 Sports EP on the Boston-centric label Exploding In Sound, and with good reason. Massachusetts-based songwriter/guitarist Sadie Dupuis’ knotty, lyrically dense songs were fully realized by her bandmates, with intricate guitar lines crisscrossing over Darl Ferm’s fluid bass and Mike Falcone’s precisely executed drumming in a way that was simultaneously catchy and jarring. After the success of its 2013 Best New Music-honored debut full-length Major Arcana, the band formalized its assault through a year and a half of relentless touring with bands in whose brainy-slash-brawny legacies it followed—among them Stephen Malkmus & The Jicks, Ex Hex, and The Breeders. In 2014, the band added guitarist Devin McKnight of the Boston-based post-punk group Grass Is Green, whose guitar parts both match and challenge Dupuis’.
Speedy Ortiz’s second proper album—Foil Deer represents a leap forward, possessing a lightness that mirrors Dupuis’s post-grad school outlook; it also has a deliberate nature to it, one that emanates from extra studio time and more experimentation with the band’s essential form. Speedy Ortiz possesses big-tent rock swagger and punk’s restless yet intimate spirit in a way that makes the impulses seem identical; while the quartet can still command crowds at festivals like Primavera Sound and Pitchfork Music Festival, they also relish playing Boston’s teeming basements alongside the city’s next generation of bands. That willingness to push not just forward, but in all directions, makes Speedy Ortiz one of rock’s most exciting outfits.